Neko

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01. 記憶の片隅 - PERSONA4 OST
02. Your Affection - PERSONA4 OST
03. Pursuing My True Self - PERSONA4 OST
The Happy Pessimist

Don't you know? All Women are Made of Pain.

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I am not entitled to tell you any personal information about myself. If you don't like it, then get off my blog. I will not accommodate for your sake.

FrecklesCranstonHarryOctavianCanberraRosieCarolineKodyPatty

My Wishlist

Currently Searching for these Dream villagers: Bob, Fang, Mitzi, Gala, and Gladys.


I want to rid my town of these villagers: Rosie, Patty, Kody, and Canberra.
You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!
freeglassart

cryptovolans:

degamo:

makanidotdot:

Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:

1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.

First, just get down the big shapes of your expression, just like you would for a pose.  

So say I wanna do a low angle angry pose.  I know the features are gonna be all mashed down at the bottom because of perspective.

 Scribble it down

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start to put on features

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fix stuff

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put on more stuff

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fix stuff again

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erasing and flipping and stuff a whole bunch until you are happy with it or stop caring

Whole head is a gesture!image

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2. Just like a facial expression, jot down where the important parts of an entire pose goes first.  You can force the rest of the body to fit the pose.

So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face. 

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That’s the simplest explanation I got.  Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!

I’m feel really strongly about this right now and I weirdly enough think about this a lot so I’m gonna word vomit a little buuutttt

Makani is seriously like my favourite artist ever and I think when it kind of comes down to it probably had the biggest hand in teaching me how to draw?? I’ve been looking at her stuff ever since I started going on the internet when I was like 2 years old (I feel like this is common) but kind of never really thought about it aside from consuming as a  fan however I guess getting into tf2 and meeting makani on the chan seriously changed how I drew entirely and it’s really bizarre to think about how such a huge factor in the way I draw today was from playing around on tf2chan LOL I feel like I never would’ve drawn characters/ interactions/ facial expressions/ etcetc if it wasn’t for that.

Anyways I guess makani has just stayed consistently impressive and incredible and I still just go look at her art like every day and start deliriously laughing because she’s so fucking good LOL Thanks for coming to my TED talk on makani 

oh my god I have to add to this because I… similarly… was inspired so much by Makani’s drawings— specifically of the Malfoys back in the day. It was super formative for me and one of the first things that inspired me to want to draw people in the first place. Her expressions and posing are SO spot on. 
and here I am many years later making a comic about some very slytherin criminals so I swear everything is connected even when you aren’t consciously thinking about it???? THANK YOU MAKANI

Ok, so the kids at my school keep changing the backgrounds in the computer lab:

huffy-lemon:

mechanicalelf:

So I put this as one of the backgrounds

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Yesterday, I found that someone changed my background to something soccer related, so just to mess around with them, I put this

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Today, I looked at all the computers around me, plus my computer and

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You children…………..

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You are playing a dangerous game.

You are the best kind of teacher

(via chazittarius)